Analogical tank from the 1978s with which we quickly spend hours on bass sounds, with 2 synchronizable VCOs. Rare with less than 650 copies, there is a grey version OB-1A. 1750 copies in total. The 6-page Oberheim OB-1 manual is typewritten (true, it can be found on the Internet), but it is not really needed in sound design, except perhaps to position the buttons to be able to record a sound on the 8 available memories (which store the positions of 33 potentiometers or buttons, almost all of them), as this cannot be invented. The OB-1 sends heavy, even if its keyboard is very cheap and makes a hell of a noise. In any case, it can be ordered with conventional CV-IN 1 volt per octave. The pinball pitch is huge. It is recommended in the instructions for use to wait 5 minutes for the circuits to be stabilized. This is clearly another way to conceive a sound, with fabulous surprises in the percussive basses, noise, boat engine noises, factory purring. Finally, no need to look for a MIDI interface on the OB-1. Source: vintage stock copy tested, service manual.

Yamaha DX-7 mark 1 "chocolate" (dark brown almost black) VINTAGE with its case from the same period, as well as the Yamaha speakers. Perfect functioning. The original LCD display "drool" a little, but it has not been changed to keep the original. FM sound with Yamaha quality.

The ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer from Moog in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®. Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible. Moog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.  

Semi-Modular Analog Percussion Synthesizer and a vibrant deviation from the traditional drum machine. Handcrafted in Asheville, NC by the employee-owners at the Moog Factory, DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators. Oscillator hard sync and FM cross-modulation invite effortless transitions between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a versatile Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. This is due to 3 dedicated analog envelopes working dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob. Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment. Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.  

The ORLA Stage Starter Black is an Italian digital piano amplified in stereo for beginner, conservatory or self-taught use, with a high quality 88-key keyboard mechanism weighted with hammer mechanism as on a real acoustic piano. It can also be used as a master or stage keyboard. It features 16 different quality sounds that are easily selected with a combination of keys: Grand Piano (grand piano), Upright Piano (upright piano), Electric Piano (electric piano for modern blues, rock or pop compositions), Harpsi, Slow Strings, Fast Strings, Vocals (hearts), Brass (brass section), Nylon Guitar (classical guitar), Church Organ, Chapel Organ, Jazz Organ, Grand Piano mode mixed with a string layer, Grand Piano mode split with a string layer, electric piano mode split with a string layer, and finally classical guitar mode mixed with a string sound. A USB port allows you to connect it to a computer with the MIDI standard. It has a metronome with click and measure, perfect for piano studies from beginner to intermediate level. This eliminates the need to purchase a separate metronome. It has 2 headphone outputs, 2 pedal inputs, a stereo audio input to listen to the sound of a song, for example with a phone or MP3 player, and play at the same time. Another atypical didactic function: this keyboard allows you to play in TWIN mode with your teacher, at the same pitch. Very useful for courses. It is possible to add 2 sounds in a single layer or to split the keyboard in two with an instrument on the left in the bass and another on the right (split).  A keyboard key is used to select a more or less brilliant sound (Tone Control). Depending on your game and strength, it is possible to choose a sensitivity of 3 levels (Hard, Normal, or Soft). By default, the Piano sound is selected at a normal velocity. A chorus effect and 3 different reverbs are available (Room, Hall, Theatre, Room being the default). Finally, it is possible to transpose (practical in the event of an untimely change of key in a group, especially with brass accompaniment), and to tune differently the famous "LA" of reference. Key combinations are very easily set up because they are written in white on a black background just above the keyboard. So it is not even necessary to open the operating instructions.

The OB-6® is the result of a unique collaboration between the two most influential designers in the history of the synthesizer, Dave Smith and Tom Oberheim.  The OB-6 takes up most of the characteristics of Oberheim synthesizers (oscillators, bipolar filter, VCA...) to which modern functionalities have been added (effects, polyphonic step sequencer, arpeggiator...).  A high-performance synthesizer that offers a wide range of sound and very good quality.

GS Apollo I is an analog monophonic synthesizer featuring subtractive synthesis. The sound generation is entirely analog. It has two voltage controlled oscillators (VCO), a mixer, a voltage controlled filter and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two ADSR envelopes (EG). The GS Apollo I interface was designed to be simple an intuitive. It has 18 knobs and 3 push buttons. It allows the generation of a great variety of sounds.

The dualo workflow: efficiency at your fingertips Build a piece in a few simple steps: Choose a sound, arm the recording, play, loop and repeat the operation at will.   Play with your own musical material: Turn off / on your loops at the right time, and apply effects upstream, downstream, or live.   The dualo principle: harmony simplifier The chords fall under the fingers: The notes sounding good together (the thirds) are arranged next to each other. A mathematical approach facilitating mastery: Each type of chord or scale has a unique and invariable shape for any tone.   Update your instrument New updates are regularly proposed (new features, patches …)   Manage files in memory Rename and save your pieces and your sound presets, and load new ones into your du-touch   Create your own sounds Using the sound editor, create your sounds from WAV samples, and decide on their behavior (harmonic range, velocity layers, ADSR …)

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.

Matriarch is an analog synthesizer with an emphasis on imagination. The pinnacle of Moog’s semi-modular family of synthesizers, Matriarch’s patchable architecture and vintage Moog circuits reward open exploration with endless sonic possibilities and unparalleled analog sound.  Easily create rich harmonic shapes with up to 4 notes of paraphony that can be sequenced, saved, and shifted with Matriarch’s intuitive 256 step sequencer, or stack the analog VCOs to play on a massive 4 oscillator mono synth. With a deep assortment of synthesis modules based on Bob Moog’s original circuit designs, Matriarch’s 100% analog signal path spans a dynamic sonic vocabulary – from overdriven monophonic bass to gently evolving paraphonic plucks that cycle through waveshapes into a wash of infinite delay trails. Coupling the power of vintage stereo ladder filters, dual Envelope Generators, stereo Analog Delays, and stereo VCAs, Matriarch delivers a multidimensional sound that empowers the sonic exploration of space and time. Though Matriarch’s semi-modular design requires absolutely no patching, 90 modular patch points are easily accessible throughout the panel via the included 3.5mm patch cables. This powerful electronic instrument is a highly-versatile addition to any stage or studio that can effortlessly transform from a performance keyboard to a fully modular analog synthesizer at a moment’s notice.  In addition to its standalone function, Matriarch is also an ideal processor of external sound sources and a powerful keyboard front-end for expanding a DFAM, Mother-32, Grandmother, or Eurorack modular system.  

The synthesizer that revolutionized the analog polyphonic market. With the Minilogue, you have a set of quality parameters and features at an unbeatable price: fully programmable 4 voice analog synthesis, 200 program memories, and 16 step sequencer. All housed in a modernly designed metal frame with a solid wood back panel. We prefer to warn you, to test it is to adopt it! Definitely....

Minlogue + Prologue = XD! The Minilogue is a new generation synthesizer with enormous potential thanks to its analog engine coupled to the Prologue's Multi Engine. While emphasizing the analog sound of the original model, the Minilogue-XD benefits from the Prologue's multiple digital engine, the Multi Engine: effects, sequencer and micro-tuning functionality that enhance the Minilogue- XD's capabilities in both sound design and achievable performance. Four-voice polyphonic analog synthesis.... The Minilogue has had a huge impact in the world of synthesizers thanks to its true analog sound. Hence the idea of integrating this circuit into the Minilogue- XD. In addition to the distinctive circuits of the series (wave shaping to form the oscillator harmonics and a "sync/ring" switch), the latter features cross modulation, a 2-pol type filter and a "drive" switch that adds thickness to the sounds. A versatile synth. Each parameter has been carefully adjusted to meet what musicians expect from their synthesizer. With its structure of 2 VCO + Multi Engine, 1 VCF, 2 EG, 1 VCA and 1 Lfo, the Minilogue-XD deploys typical warm layer sounds, from analogical bass to low fat and lead synth sounds, covering all situations. It comes with 200 presets, and you can store a total of 500 programs. Equipped with a digital Multi Engine engine. The possibilities to design digital sounds are provided by the Multi Engine, a third oscillator in addition to the two analog VCOs. This engine, equipped with three different types of sound generator (noise, VPM and user slot), allows you to enjoy a sound character different from analog or even to be coupled to it, thus infinitely increasing the potential of this hybrid sound design.

A great analog synthesizer. In the world of new generation analog synthesizers, the Prologue undoubtedly overtakes the few polyphonic synthesizers recently released. Its warm and musical filter, the harmonic richness of the sounds it generates and its digital oscillator that can be mixed within the oscillators, are all real novelties offered at a very interesting price.  A programmable hybrid. The digital oscillator merges into the analog processing. Understand that once its waveform is generated, this oscillator is analogically filtered and follows the same path as the two VCOs. It thus brings a real additional color that is not without reminding the additive synthesis of legendary instruments to the famous blue color. To go even further, this digital oscillator is programmable, which makes it possible to increase the sound possibilities of the Prologue tenfold. The famous Blinds oscillators included. The young company Edouard Digital made headlines when the Blinds oscillators for the Korg Prologue were released. Indeed, not only do they bring new waveforms but they also make it possible to generate two different ones in "second layer" and to morph between the two waveforms thus created. An optimized version. The Korg Prologue 16 OSC also benefits from optimizations such as tuning management or full compatibility of programs using Blinds in order to be able to exchange or share its creations. A series limited to France. Let us welcome this French initiative which proposes an instrument with tenfold possibilities at the same price as the standard version.  And you will have understood that this model is exclusively available on the French reseller network. 

Although today's digital technologies make it possible to simulate any conceivable sound, the heat of an analog tube sound passing through distortion is incomparable. The Volca Nubass is the first analog synthesizer equipped with new generation Nutube lamps in its oscillator. The combination of lamps and analog brings warmth, thickness and richness to the sound. The presence of a ladder transistor filter and a powerful distortion make this analog bass synthesizer a new reference. 

A pocket polyphonic synthesizer.The Volca Keys is a true analog synthesizer with 3 polyphonic voices. Easy to use, this module proves to be a formidable tool for creating aerial pads or warm melodies. In addition, you have an integrated delay for even more sound possibilities.A sequencer from the Electribe.The Volca Keys has a sequencer that comes directly from the Electribe series, and will allow you to make loops or make dynamic changes to your sequences in a flash.

This master MIDI keyboard is your new friend This keyboard is covered with a protective shell so that it can be carried everywhere: whether at the bottom of the backpack or at the bottom of the suitcase, it will be able to follow you without fear.  The keyboard with a clever thread on the paw The anguish we all have is to lose the USB cable: no more wasting time looking for the cable that slipped into the back of the car or worse: lost forever. The MicroLab shell has a "gutter" that allows the supplied USB cable to be firmly wrapped around it. Always attentive to detail, the cable is the same color as the shell and even has a slight magnetization to hold the connector firmly attached to the keyboard without the risk of sticking to any surrounding object. A well supported controller  Not only is this control keyboard fun and robust, but it also comes with the famous and envied software: Analog Lab Lite: more than 600 sounds from the keyboards that have made music history are available with the MicroLab. Need to register? No problem: Bitwig 8 Tracks will perform this function without blinking.

This master MIDI keyboard is your new friend This keyboard is covered with a protective shell so that it can be carried everywhere: whether at the bottom of the backpack or at the bottom of the suitcase, it will be able to follow you without fear.  The keyboard with a clever thread on the paw The anguish we all have is to lose the USB cable: no more wasting time looking for the cable that slipped into the back of the car or worse: lost forever. The MicroLab shell has a "gutter" that allows the supplied USB cable to be firmly wrapped around it. Always attentive to detail, the cable is the same color as the shell and even has a slight magnetization to hold the connector firmly attached to the keyboard without the risk of sticking to any surrounding object. A well supported controller  Not only is this control keyboard fun and robust, but it also comes with the famous and envied software: Analog Lab Lite: more than 600 sounds from the keyboards that have made music history are available with the MicroLab. Need to register? No problem: Bitwig 8 Tracks will perform this function without blinking. 

This master MIDI keyboard is your new friend This keyboard is covered with a protective shell so that it can be carried everywhere: whether at the bottom of the backpack or at the bottom of the suitcase, it will be able to follow you without fear.  The keyboard with a clever thread on the paw The anguish we all have is to lose the USB cable: no more wasting time looking for the cable that slipped into the back of the car or worse: lost forever. The MicroLab shell has a "gutter" that allows the supplied USB cable to be firmly wrapped around it. Always attentive to detail, the cable is the same color as the shell and even has a slight magnetization to hold the connector firmly attached to the keyboard without the risk of sticking to any surrounding object. A well supported controller  Not only is this control keyboard fun and robust, but it also comes with the famous and envied software: Analog Lab Lite: more than 600 sounds from the keyboards that have made music history are available with the MicroLab. Need to register? No problem: Bitwig 8 Tracks will perform this function without blinking. 

A synthesizer like no other. An association Arturia and Mutable Instruments could only give an exceptional and exceptional instrument. This first digital product at Arturia therefore integrates digital and wavetable oscillators, which pass through an analog filter to offer the best of both worlds. The most curious will be rewarded, the Microfreak is a synthetic monster and you will be able to explore new sound worlds. Let's add a touch of madness. The MicroFreak oscillator is multisynthesis. By changing modes, you will be able to explore the Texturer, KarplusStrong, Harmonic OSC or Superwave and congratulate yourself on choosing the Microfreak: you now have a dozen synths in a single instrument. It is not only economic but also and above all stimulating creativity. An incredible synthesizer keyboard. The Microfreak's flat keyboard may surprise you, but it will give you pleasure and inspiration as soon as your fingers land on it: it reacts to velocity and even to aftertouch! But wait, we're on a "Freak" so we needed more. So it is indeed a polyphonic aftertouch that you benefit from. The 5 x 7 modulation matrix, which allows you to interact with this aftertouch, opens doors and unexpected possibilities.  Control the uncontrollable. But that's not all, far from it! Did you know that MicroFreak also includes a sequencer with random functions that you can measure or recalculate in real time? With each chord, totally different motives will be able to interact under your fingers. Add to this all the modulations made possible by the matrix and polyphonic aftertouch and you will have a good idea of what Microfreak is. 

The world of analog synthesis now has a reference. Being at the origin of the revival of analog synthesizers is already a great achievement, but redefining the standards of analog synthesis in the face of legendary brands was a challenge. With the MatrixBrute, Arturia offers us a beautiful and powerful synthesizer that meets the wildest dreams of sound designers and musicians eager to play with original sounds. The power of this synthesizer is hidden under the matrix. Equipped with 3 analog oscillators, this instrument already offers a synthesis power that will satisfy the most demanding. But all this would only be possible without the famous matrix that the MatrixBrute is equipped with. This matrix allows you to modulate any synthesis parameter with another of your choice, thus increasing its already infinite possibilities tenfold. And with the greatest ease of use! The power and heat of analog synthesis. Each of the 3 oscillators can be combined with the others or assigned to a note (paraphony). If most of the articles you have read describe it as a monodic instrument, you should know that the MatrixBrute can be transformed into a 3 voice analog synthesizer. Nuance! The heat of the sound generated by its 3 VCOs far exceeds the majority of current instruments. The matrix with the triple face. The MatrixBrute's modulation matrix is not only limited to modulation assignments, but also offers a Program mode that allows you to quickly navigate through the 256 programs, as well as access the sequencer and arpeggiator. The sequencer section makes it possible to record a sequence of 64 steps for each program. This sequence can be recorded in step-by-step mode as well as in real time. The arpeggiator, on the other hand, offers a visualization of its progress on the matrix and offers access to the hybrid mode: because the MatrixBrute integrates a hybrid mode halfway between the arpeggiator and the sequencer! This new mode allows you to draw your arpeggios on the matrix, activate or deactivate each step and of course play the result by placing chords on the keyboard.

Analog synthesizer with dual VCO, 3 simultaneous waveforms, 4-pole VCF, extended modulation matrix, 16-voice poly chain and Eurorack format. Making its debut in 1981, the monophonic Sequential Circuits Pro-One* quickly established itself as the synthesizer of choice for numerous artists including: Thompson Twins, the Prodigy, Depeche Mode, Vince Clarke, New Order, Prince, Soft Cell and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the PRO-1 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 3 selectable waveforms, plus extremely flexible VCF and VCA filters, the PRO-1 is sure to become one of your favorite keyboards. Owning the PRO-1 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Analog synthesizer with 37 keys, dual VCO, 3-channel multimode VCF, 32-step sequencer, arpeggiator and Klark Teknik FX. An ultra-affordable homage to the legendary ARP synthesizer of the ’70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects. The ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the ’70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Analog vocoder and string ensemble synthesizer from the 80s. Thanks to 37 semi-weighted full-size keys with velocity sensitivity and an authentic analog signal path, the VOCODER VC340 is sure to become one of your favorite keyboards. Whether you use it to provide that awe-inspiring talking-synth sound that sold millions of recordings, or just for its really fat string section and multi-voice choir pads, owning the VOCODER VC340 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Authentic Analog Synthesizer with 3 VCOs, Ladder Filter, LFO and Eurorack Format. The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the BEHRINGER MODEL D lets you conjure up virtually any monophonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/ square wave LFO. And when it comes to protection and convenience, the MODEL D can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a MODEL D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!