Analogical tank from the 1978s with which we quickly spend hours on bass sounds, with 2 synchronizable VCOs. Rare with less than 650 copies, there is a grey version OB-1A. 1750 copies in total. The 6-page Oberheim OB-1 manual is typewritten (true, it can be found on the Internet), but it is not really needed in sound design, except perhaps to position the buttons to be able to record a sound on the 8 available memories (which store the positions of 33 potentiometers or buttons, almost all of them), as this cannot be invented. The OB-1 sends heavy, even if its keyboard is very cheap and makes a hell of a noise. In any case, it can be ordered with conventional CV-IN 1 volt per octave. The pinball pitch is huge. It is recommended in the instructions for use to wait 5 minutes for the circuits to be stabilized. This is clearly another way to conceive a sound, with fabulous surprises in the percussive basses, noise, boat engine noises, factory purring. Finally, no need to look for a MIDI interface on the OB-1. Source: vintage stock copy tested, service manual.

It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or  computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

The ORLA Stage Starter Black is an Italian digital piano amplified in stereo for beginner, conservatory or self-taught use, with a high quality 88-key keyboard mechanism weighted with hammer mechanism as on a real acoustic piano. It can also be used as a master or stage keyboard. It features 16 different quality sounds that are easily selected with a combination of keys: Grand Piano (grand piano), Upright Piano (upright piano), Electric Piano (electric piano for modern blues, rock or pop compositions), Harpsi, Slow Strings, Fast Strings, Vocals (hearts), Brass (brass section), Nylon Guitar (classical guitar), Church Organ, Chapel Organ, Jazz Organ, Grand Piano mode mixed with a string layer, Grand Piano mode split with a string layer, electric piano mode split with a string layer, and finally classical guitar mode mixed with a string sound. A USB port allows you to connect it to a computer with the MIDI standard. It has a metronome with click and measure, perfect for piano studies from beginner to intermediate level. This eliminates the need to purchase a separate metronome. It has 2 headphone outputs, 2 pedal inputs, a stereo audio input to listen to the sound of a song, for example with a phone or MP3 player, and play at the same time. Another atypical didactic function: this keyboard allows you to play in TWIN mode with your teacher, at the same pitch. Very useful for courses. It is possible to add 2 sounds in a single layer or to split the keyboard in two with an instrument on the left in the bass and another on the right (split).  A keyboard key is used to select a more or less brilliant sound (Tone Control). Depending on your game and strength, it is possible to choose a sensitivity of 3 levels (Hard, Normal, or Soft). By default, the Piano sound is selected at a normal velocity. A chorus effect and 3 different reverbs are available (Room, Hall, Theatre, Room being the default). Finally, it is possible to transpose (practical in the event of an untimely change of key in a group, especially with brass accompaniment), and to tune differently the famous "LA" of reference. Key combinations are very easily set up because they are written in white on a black background just above the keyboard. So it is not even necessary to open the operating instructions.

The OB-6® is the result of a unique collaboration between the two most influential designers in the history of the synthesizer, Dave Smith and Tom Oberheim.  The OB-6 takes up most of the characteristics of Oberheim synthesizers (oscillators, bipolar filter, VCA...) to which modern functionalities have been added (effects, polyphonic step sequencer, arpeggiator...).  A high-performance synthesizer that offers a wide range of sound and very good quality.

GS Apollo I is an analog monophonic synthesizer featuring subtractive synthesis. The sound generation is entirely analog. It has two voltage controlled oscillators (VCO), a mixer, a voltage controlled filter and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two ADSR envelopes (EG). The GS Apollo I interface was designed to be simple an intuitive. It has 18 knobs and 3 push buttons. It allows the generation of a great variety of sounds.

Polyphonic synthesizer with analog modeling. It has 5 types of oscillators and 8 polyphonic voices. Realistic and intuitive controls.  

From the Yamaha Reface series, the Reface DX is a compact, modern and revisited version of the legendary DX7 from the same brand. Much easier to use than its ancestor, this small, robust and ergonomic synth (practical for live use) has a multitude of features and effects that can be quickly modified with touch cursors and its screen. This FM synth has 4 operators, it is polyphonic 8 voices and monotimbral. It has 2 loudspeakers of 2 watts that can be deactivated.

The mythical keyboards of the 70s, with legendary vintage effects and 128 polyphonic voices.  

The dualo workflow: efficiency at your fingertips Build a piece in a few simple steps: Choose a sound, arm the recording, play, loop and repeat the operation at will.   Play with your own musical material: Turn off / on your loops at the right time, and apply effects upstream, downstream, or live.   The dualo principle: harmony simplifier The chords fall under the fingers: The notes sounding good together (the thirds) are arranged next to each other. A mathematical approach facilitating mastery: Each type of chord or scale has a unique and invariable shape for any tone.   Update your instrument New updates are regularly proposed (new features, patches …)   Manage files in memory Rename and save your pieces and your sound presets, and load new ones into your du-touch   Create your own sounds Using the sound editor, create your sounds from WAV samples, and decide on their behavior (harmonic range, velocity layers, ADSR …)

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.

The synthesizer that revolutionized the analog polyphonic market. With the Minilogue, you have a set of quality parameters and features at an unbeatable price: fully programmable 4 voice analog synthesis, 200 program memories, and 16 step sequencer. All housed in a modernly designed metal frame with a solid wood back panel. We prefer to warn you, to test it is to adopt it! Definitely....

Minlogue + Prologue = XD! The Minilogue is a new generation synthesizer with enormous potential thanks to its analog engine coupled to the Prologue's Multi Engine. While emphasizing the analog sound of the original model, the Minilogue-XD benefits from the Prologue's multiple digital engine, the Multi Engine: effects, sequencer and micro-tuning functionality that enhance the Minilogue- XD's capabilities in both sound design and achievable performance. Four-voice polyphonic analog synthesis.... The Minilogue has had a huge impact in the world of synthesizers thanks to its true analog sound. Hence the idea of integrating this circuit into the Minilogue- XD. In addition to the distinctive circuits of the series (wave shaping to form the oscillator harmonics and a "sync/ring" switch), the latter features cross modulation, a 2-pol type filter and a "drive" switch that adds thickness to the sounds. A versatile synth. Each parameter has been carefully adjusted to meet what musicians expect from their synthesizer. With its structure of 2 VCO + Multi Engine, 1 VCF, 2 EG, 1 VCA and 1 Lfo, the Minilogue-XD deploys typical warm layer sounds, from analogical bass to low fat and lead synth sounds, covering all situations. It comes with 200 presets, and you can store a total of 500 programs. Equipped with a digital Multi Engine engine. The possibilities to design digital sounds are provided by the Multi Engine, a third oscillator in addition to the two analog VCOs. This engine, equipped with three different types of sound generator (noise, VPM and user slot), allows you to enjoy a sound character different from analog or even to be coupled to it, thus infinitely increasing the potential of this hybrid sound design.

Although today's digital technologies make it possible to simulate any conceivable sound, the heat of an analog tube sound passing through distortion is incomparable. The Volca Nubass is the first analog synthesizer equipped with new generation Nutube lamps in its oscillator. The combination of lamps and analog brings warmth, thickness and richness to the sound. The presence of a ladder transistor filter and a powerful distortion make this analog bass synthesizer a new reference. 

A pocket polyphonic synthesizer.The Volca Keys is a true analog synthesizer with 3 polyphonic voices. Easy to use, this module proves to be a formidable tool for creating aerial pads or warm melodies. In addition, you have an integrated delay for even more sound possibilities.A sequencer from the Electribe.The Volca Keys has a sequencer that comes directly from the Electribe series, and will allow you to make loops or make dynamic changes to your sequences in a flash.

This master MIDI keyboard is your new friend This keyboard is covered with a protective shell so that it can be carried everywhere: whether at the bottom of the backpack or at the bottom of the suitcase, it will be able to follow you without fear.  The keyboard with a clever thread on the paw The anguish we all have is to lose the USB cable: no more wasting time looking for the cable that slipped into the back of the car or worse: lost forever. The MicroLab shell has a "gutter" that allows the supplied USB cable to be firmly wrapped around it. Always attentive to detail, the cable is the same color as the shell and even has a slight magnetization to hold the connector firmly attached to the keyboard without the risk of sticking to any surrounding object. A well supported controller  Not only is this control keyboard fun and robust, but it also comes with the famous and envied software: Analog Lab Lite: more than 600 sounds from the keyboards that have made music history are available with the MicroLab. Need to register? No problem: Bitwig 8 Tracks will perform this function without blinking.

This master MIDI keyboard is your new friend This keyboard is covered with a protective shell so that it can be carried everywhere: whether at the bottom of the backpack or at the bottom of the suitcase, it will be able to follow you without fear.  The keyboard with a clever thread on the paw The anguish we all have is to lose the USB cable: no more wasting time looking for the cable that slipped into the back of the car or worse: lost forever. The MicroLab shell has a "gutter" that allows the supplied USB cable to be firmly wrapped around it. Always attentive to detail, the cable is the same color as the shell and even has a slight magnetization to hold the connector firmly attached to the keyboard without the risk of sticking to any surrounding object. A well supported controller  Not only is this control keyboard fun and robust, but it also comes with the famous and envied software: Analog Lab Lite: more than 600 sounds from the keyboards that have made music history are available with the MicroLab. Need to register? No problem: Bitwig 8 Tracks will perform this function without blinking. 

Analog synthesizer with dual VCO, 3 simultaneous waveforms, 4-pole VCF, extended modulation matrix, 16-voice poly chain and Eurorack format. Making its debut in 1981, the monophonic Sequential Circuits Pro-One* quickly established itself as the synthesizer of choice for numerous artists including: Thompson Twins, the Prodigy, Depeche Mode, Vince Clarke, New Order, Prince, Soft Cell and a host of others. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, the PRO-1 lets you conjure up virtually any sound with incredible finesse and ease. With its pure analog signal path, dual authentic VCOs with 3 selectable waveforms, plus extremely flexible VCF and VCA filters, the PRO-1 is sure to become one of your favorite keyboards. Owning the PRO-1 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Analog synthesizer with 37 keys, dual VCO, 3-channel multimode VCF, 32-step sequencer, arpeggiator and Klark Teknik FX. An ultra-affordable homage to the legendary ARP synthesizer of the ’70s and beyond with all the features of the original and then some including: dual VCOs; 32-step sequencer with onboard storage; arpeggiator and world-class Klark Teknik FX that boast reverb, chorus, flanger, delay, pitch shifter and multi-effects. The ODYSSEY lets you conjure up virtually any sound with incredible finesse and ease. With its 37 semi-weighted full-size keys, pure analog signal path based on authentic VCO, VCF and VCA designs from the ’70s, the ODYSSEY is sure to become your favorite keyboard. Owning the ODYSSEY is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Analog vocoder and string ensemble synthesizer from the 80s. Thanks to 37 semi-weighted full-size keys with velocity sensitivity and an authentic analog signal path, the VOCODER VC340 is sure to become one of your favorite keyboards. Whether you use it to provide that awe-inspiring talking-synth sound that sold millions of recordings, or just for its really fat string section and multi-voice choir pads, owning the VOCODER VC340 is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

Authentic Analog Synthesizer with 3 VCOs, Ladder Filter, LFO and Eurorack Format. The 1970s spawned the first truly portable analog synthesizer, and while it was quickly adopted by lots of renowned musical artists including Jan Hammer, Chick Corea, Rick Wakeman, Jean-Michel Jarre, Isao Tomita and Keith Emerson to name a few, it was somewhat temperamental and very expensive. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the BEHRINGER MODEL D lets you conjure up virtually any monophonic sound imaginable with incredible finesse and ease. The pure analog signal path is based on authentic VCO, VCF, VCA and ladder filter designs in conjunction with a dedicated and fully analog triangle/ square wave LFO. And when it comes to protection and convenience, the MODEL D can even be mounted in a standard Eurorack, making it ideal for the studio and/or the road. Owning a MODEL D is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!

Analog synthesizer with 32 keys, 3340 VCO with 4 simultaneous waveforms, VCF, NovaMod FM sources, 32 step sequencer, arpeggiator and live performance kit.   The 1980s and ’90s spawned a new “wave” of synth performers including Devo, The Chemical Brothers, The Prodigy, The Crystal Method and a host of others, all empowered by the sound of a simple strap-on instrument that let keyboardists steal the spotlight away from their guitar-wielding bandmates. An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BK lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BK is sure to become your favorite keyboard. Owning the MS-1-BK is like having your own personal time machine, enabling you to embrace the past – or make your imprint on the future!

True 12-voice analog polyphonic synthesizer with 4 effect engines, 2 OSC and LFO per voice, 3 ADSR generators, 8-channel modulation matrix, 32-step control sequencer, tablet remote control and integrated Wifi.   With the creation of DEEPMIND 12, the ultimate true analog, 12-voice polyphonic synthesizer is finally a reality. DEEPMIND 12 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 12 gives you complete control over your soundscape. Plus, DEEPMIND 12 features comprehensive remote control via iPad/PC/Mac and selected Android Apps over USB, MIDI or built-in Wifi – for a custom-tailored workflow that lets your creative spirit soar to new heights.

Genuine 6-voice analog polyphonic synthesizer with 4 effects engines, 2 OSC and LFO per voice, 3 ADSR generators, 8-channel modulation matrix, 32-step control sequencer and tablet remote control. With the creation of DEEPMIND 6, the ultimate true analog, 6-voice polyphonic synthesizer is finally a reality. DEEPMIND 6 allows you to conjure up virtually any sound you can imagine with unparalleled finesse and ease. Thanks to its 4 FX engines, dual analog OSCs and LFOs per voice, 3 ADSR Generators, 8-Channel Modulation Matrix and onboard 32-Step Control Sequencer, the DEEPMIND 6 gives you complete control over your soundscape. Plus, DEEPMIND 6 features comprehensive remote control via iPad/PC/Mac and selected Android Apps over USB or MIDI – for a custom-tailored workflow that lets your creative spirit soar to new heights.

Legendary hybrid synthesizer with two OSCs, multi-mode VCF, 16-voice poly channel and Eurorack format. In 1978 a unique and quirky little synthesizer was born. The Wasp, as it was called, was a monophonic, two-octave keyboard that used touch-sensitive keys. It was a novel idea back then but tended to be unreliable and difficult to play. An ultra-affordable homage to that iconic synthesizer, with all the features of the original and then some, the Behringer WASP DELUXE lets you conjure up virtually any sound imaginable with incredible finesse and ease. Pure analog signal path based on authentic VCF and VCA designs in conjunction with a flexible 6-shape waveform LFO including noise and S&H with frequency and pitch modulation control. Having your very own WASP DELUXE is like having your own personal time machine, enabling you to freely embrace the past – or shape the future!