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Reviews (3) :
Prophet 5 Vintage
Sequential Circuit - Prophet 5 Prophet 5 Rev.2 vintage from the American brand SEQUENTIAL CIRCUITS, everything works perfectly. A very beautiful and mythical machine. Opportunity verified by Zicplace. Very good condition. Magic. Sequential Circuit's Prophet 5, created by Dave Smith, produces a fascinating analog sound in a dreamlike body with a case that combines wood and steel. Even with sounds stored as presets, which can be easily modified after calling them, you can still recognize mythical sounds from Pink Floyd albums, the intro to "One of my Turns", etc. A lot of presence, a violent Unison mode that we like to listen to and let run, just press one of the 61 keys and wait for the hair to rise on your body. The presets offer very different sounds, tablecloths, organs, basses, sound effects that we like or not, but it has become a legend with its strings and basses. There were 3 models that we spot with the serial numbers: the Rev.1 a little unstable that we don't like to have in return workshop in after-sales service, the Rev. 2 reputed to have a "better sound", and the Rev. 3. At first use, we see that it has some in the stomach with its 2 VCO, and we turn the potentiometers slightly. In Rev. 2 there is a key to tune it, and a key that outputs an A 440Hz. Funny but also necessary because analog is more unstable than digital. Requires some output effects because the vintage machine does not have them, unlike the recent Prophet 6.
Sub Sequent 37
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability. The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer’s newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37. In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.
A highly aggressive sound design and performance analog synthesizer that combines the classic, hands-on control of vintage Moog instruments with a new and ultra-gritty sound engine. It is fitted with 25 full-size keys and a 31-knob panel, plugging you straight into the analog heart of this powerful synthesizer. The Sub Phatty sound begins with two variable waveshape oscillators that perform with extreme accuracy and require no warm-up time. Each oscillator is then fed into a high-gain mixer, which includes a pink noise generator and sub oscillator for added depth and rich, punchy bass. The filter section of the Sub Phatty is the first to feature Moog’s transformative new Multidrive circuit; at lower settings Multidrive adds warmth and width, but when pushed, it delivers a screaming snarl that unlocks an undiscovered world of vivid analog tonalities. The Sub Phatty features a wide range of parameters just below the surface. Each feature is easily accessible with the free software editor - creating seamless integration between analog synth and DAW for total control, recall, and automation of every parameter.
A distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.Drive synchronized sound with Mother 32’s powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32’s voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device. The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.
Moog One 8v
The ultimate Moog synthesizer - a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer from Moog in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library--including a suite of professional reverbs from Eventide®. Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible. Moog One is an unprecedented conduit for the expression of your own creative voice. Sculpt, shape, and transform your own sound with nearly infinite possibilities.
The ORLA Stage Starter Black is an Italian digital piano amplified in stereo for beginner, conservatory or self-taught use, with a high quality 88-key keyboard mechanism weighted with hammer mechanism as on a real acoustic piano. It can also be used as a master or stage keyboard. It features 16 different quality sounds that are easily selected with a combination of keys: Grand Piano (grand piano), Upright Piano (upright piano), Electric Piano (electric piano for modern blues, rock or pop compositions), Harpsi, Slow Strings, Fast Strings, Vocals (hearts), Brass (brass section), Nylon Guitar (classical guitar), Church Organ, Chapel Organ, Jazz Organ, Grand Piano mode mixed with a string layer, Grand Piano mode split with a string layer, electric piano mode split with a string layer, and finally classical guitar mode mixed with a string sound. A USB port allows you to connect it to a computer with the MIDI standard. It has a metronome with click and measure, perfect for piano studies from beginner to intermediate level. This eliminates the need to purchase a separate metronome. It has 2 headphone outputs, 2 pedal inputs, a stereo audio input to listen to the sound of a song, for example with a phone or MP3 player, and play at the same time. Another atypical didactic function: this keyboard allows you to play in TWIN mode with your teacher, at the same pitch. Very useful for courses. It is possible to add 2 sounds in a single layer or to split the keyboard in two with an instrument on the left in the bass and another on the right (split). A keyboard key is used to select a more or less brilliant sound (Tone Control). Depending on your game and strength, it is possible to choose a sensitivity of 3 levels (Hard, Normal, or Soft). By default, the Piano sound is selected at a normal velocity. A chorus effect and 3 different reverbs are available (Room, Hall, Theatre, Room being the default). Finally, it is possible to transpose (practical in the event of an untimely change of key in a group, especially with brass accompaniment), and to tune differently the famous "LA" of reference. Key combinations are very easily set up because they are written in white on a black background just above the keyboard. So it is not even necessary to open the operating instructions.
Analogical tank from the 1978s with which we quickly spend hours on bass sounds, with 2 synchronizable VCOs. Rare with less than 650 copies, there is a grey version OB-1A. 1750 copies in total.
The 6-page Oberheim OB-1 manual is typewritten (true, it can be found on the Internet), but it is not really needed in sound design, except perhaps to position the buttons to be able to r...
MEDIAS | PHOTOS
5.0 / 5