Un Microphone Dynamique Professionnel Spécialement Conçu pour l'Harmonica Adapté aux Harmonicas chromatiques ou diatoniques Caractérisé par une directivité cardioïde uniforme et une réponse en fréquence de 50Hz à 15KHz Peut être utilisé aussi bien en live que en studio Accepte des forts niveaux de pression. Peut être utilisé pour du beat box ou des percussions

The BETA 91A is a surface effect microphone for bass drums, pianos and other low instruments. But it is thanks to its performance that it has made a name for itself!Surface effect ?This type of microphone uses the surface on which it is placed to capture, in addition to the direct acoustic wave, the wave reflected from the sound source. Thanks to this acoustic reflection, the surface effect microphone provides excellent results in terms of sensitivity and dynamics. Resistant for the bass drum.The Beta 91A is particularly well suited for use on bass drums, preferably in front of or inside the drum. Its static hemi-cardioid capsule withstands high sound pressure levels and allows maximum gain before feedback. Its frequency response, optimized for low frequencies, facilitates its use in high volume environments. To bring out the attack and dynamics of the sound, the Beta 91A features a switchable frequency-correction filter that neutralizes the low mids and enhances the bass and treble. The XLR mic preamp is built into a rugged, low-profile design that takes up very little space on stage, and is extremely durable. The nuances of the piano.Inside, on the soundboard, or tucked under the lid above the strings, the Beta 91A offers a different sound and acoustic aesthetic depending on what you're looking for. Its high-dynamic capsule will perfectly reproduce the nuances of the piano, regardless of its position. This makes it an extremely versatile microphone, whether it's for upright or grand pianos, or for close miking. The Beta 91A offers musicians and sound engineers a different way of capturing the source, with a surface effect mic for close miking at high pressures, especially for low frequencies. A real asset for drummers and pianists!Electrostatic hemi-cardioid surface effect microphone for bass drums and other high-level bass instruments. Maximum pressure 160 dB SPL. Successor of the SM 91A. No external mounting required and can be placed on a cushion or any other surface inside a bass drum. Delivered with thick cable C98D and detachable preamp RPM626.Hemicardioid.Their extraordinary performance and the talent of the greatest artists have made Beta microphones true "stage beasts," now available in wired and wireless versions. Their legendary warmth, presence and sensitivity, optimized response curve, and multiple configurations of Beta capsules have won over those who seek perfection. All models feature optimal isolation and minimal off-axis coloration.The Beta Series represents the highest level of technology developed by Shure. With its cutting-edge design and unmatched performance, the Beta Series is truly the standard for live performance. High-quality, high-sensitivity stage microphones capture every nuance of sound, even in demanding environments.- Optimized cardioid, supercardioid or omnidirectional polar patterns.- High sensitivity for studio quality at high sound pressure levels- Pneumatic anti-shock system.

The Beta 52A is ideal for the professional musician seeking a microphone for his or her kick drum, bass amp, or acoustic bass. The quality and durability of this microphone make it ideal for use on stage and in the studio.What are the features of the Beta 52A?Its supercardioid polar pattern limits interference from other sound sources on stage and reduces the risk of feedback. Its frequency response is perfectly designed for low instruments: from 20Hz to 10,000Hz with a presence boost at 4000Hz to make electric bass and kick drums audible. The Beta 52A is also available as a kit. The Drum Kit contains three SM57 microphones, a Beta 52A, three A56D drum mounting systems, and a lightweight, durable case. 

Stereo micro-capacitor pair.

Microphone harmonica Proposé en basse impédance et en haute impédance Livré en standard avec un contrôle du volume Livré dans un Starlight violet et peut être personnalisé avec un large choix de couleurs. Le micro montré est la version haute impédance

Un Micro Conçu en Collaboration avec des Musiciens Professionnels Nouveau microphone capsule conçue autour de microphones légendaire et vintage Fonctionnalités telles que Potentiomètre Bourns et connecteur XLR plaqué or Solide comme le roc avec une coque métallique épaisse et une vrai calandre chromée dimensionnées pour une manipulation facile

Micro Omnidirectionnel pour Harmonica

Un Micro spécialement adapté pour les joueurs de jazz, variété, et classique Son très chaud, comparrable à un micro de chant

Micro dynamique polyvalent Directivité : cardioïde

The PV MSP1 is a complete microphone and accessory package designed for working musicians on the move. The package includes essential accessories for stage and rehearsal setups, all in a protective gig bag.

Un Microphone Conçu avec et pour les Harmonicistes. Ergonomie parfaite offrant un plus grand confort de jeu Offre le son chaleureux et dynamique que recherchent les harmonicistes. Ce micro est livré avec un transformateur d'impédance pour utiliser un harmonica en Jack directement dans un ampli ou dans des pédales d'effets.

Pair of microphones Overhead often used to capture drum cymbals.