The new Dark Energy II looks like the Dark Energy I at first sight. But the basic sound of the Dark Energy II is clearly different from the version I because of the new circuits for the VCO, the VCF and the VCA. In the following description of the Dark Energy II, the differences with the Dark Energy I are marked in blue:The Dark Energy II is a stand-alone monophonic synthesizer with USB and Midi interface. The sound generation and all the modulation sources are 100% analog, only the USB/Midi interface contains digital components. The Dark Energy is built in a robust black metal case with wooden side plates. High quality potentiometers with metal shafts are used and every potentiometer - except the filter mode control - is fixed to the case (no wobbly shafts and knobs). The distance between the controls is a bit larger compared to the A-100 modules and vintage looking knobs are used.

Robust OQAN "giraffe" microphone stand, model AMS11, black, with tripod. A basic Zicplace in rehearsal or on stage, reliable. Compatible with Sure SM-58, Neumann KMS-105, etc. Microphone clip not included.

64 presets, 750 ms max delay, the front panel is clear with the classic potentiometers (attenuator, feedback, delay output volume, level and depth modulation), bypass with indicator light. To the right of Roland's SDE-2500, we enter the settings, the delay preset selections, the storage. On the rear panel, the mono connector for effect loop on amp, mix, or direct guitar instrument or keyboard for example.

Solid tools for developing a mix, the HS series speakers have been designed to provide the most honest and accurate reference possible, unlike monitoring speakers whose bass or certain high frequencies have been highlighted to obtain a flattering result. By combining the experience gained over the years with cutting-edge technologies, the Yamaha engineering team has examined and optimized every aspect that has helped to make these speakers references that professionals can trust. 

The PV MSP1 is a complete microphone and accessory package designed for working musicians on the move. The package includes essential accessories for stage and rehearsal setups, all in a protective gig bag.

ClipMic digital is a high-quality lavalier microphone for iPhone, iPad and Mac that features Apogee digital conversion and Sennheiser microphone capsules. Whether you are a journalist looking for an easy audio solution for field interviews, a lecturer that wants to record a talk, or even a parent recording their child reciting a poem – Apogee’s digital clip-on lavalier microphone helps you to capture sound professionally. ClipMic digital combines Apogee’s A/D conversion expertise with Sennheiser’s microphone design knowledge to give users optimum sound quality for their recordings. Especially designed for iOS-devices, ClipMic features a Lightning connector to directly connect to iPhone®, iPad® and iPod® Touch, thus creating high-quality, ultra-portable solutions for vocal and speech recordings.

Optional USB remote control for Element and Symphony I/O series audio interfaces.  

The 2x6SE takes advantage of the latest advances in digital and analog audio technology, offering two line level inputs with a dynamic range of 124dB (A), a distortion + noise (THD+N) of -116dB and six line level outputs with a dynamic range of 131dB (A) and a surprisingly low distortion + noise (THD+N) of -118dB.  

Immediately availableFree delivery in all Europe

The MOTU M4 is a high-quality audio interface at a very affordable price! This 4-in/4-out USB-C audio interface includes ESS Sabre32 Ultra DAC technology for superior sound quality, as well as optimized drivers that deliver impressive low-latency performance.

MOTU's popular and award-winning audio interface: the Ultra Lite, now comes in AVB with 18 inputs, 18 outputs, DSP mixing, wifi control, AVB audio networking, premium analog audio quality, and AVB audio networking with huge audio quality for a mobile audio recording interface on the go.

The MOTU Micro Lite USB MIDI Interface is built with the same technology as MOTU's flagship MIDI timepiece. With the inclusion of five MIDI inputs and five MIDI outputs, you'll have immediate access to an impressive 80 MIDI channels. Take advantage of the large, intuitive front panel to easily view the status of all your device's activities at any time.

The UltraLite-mk5 incorporates the renowned ESS Sabre32™ DAC technology, along with the ES9026PRO DAC, to deliver a measured dynamic range of 125dB and THD+N of -114dB. Renowned drivers deliver rock-solid performance and industry-leading low latency

The new Yamaha MG series mixing console is already becoming the new standard in the sound industry. A new lease of life for the world's best-selling consoles: the third MG series combines sound quality with reliability and even better performance to become (once again) a standard in the sound industry. 

Alpha 65 Evo is equipped with a 25 mm (1") Aluminium tweeter and a 16,5 cm (6.5") Slatefiber woofer, a membrane developed and manufactured in Focal's workshops in France. This monitoring loudspeaker is characterized by its dynamics and the neutrality of its tonal balance. Thanks to its technologies, Alpha 65 Evo ensures an excellent sound coherence whatever the listening place.

Build your wireless In-ear monitor systemThe U4 personal wireless monitoring system delivers great sounding audio to your favorite in-ear monitors.Enhance your stage performance with freedom from wires with U4’s easy to use and portable plug-and-play design. Built using the highest quality components housed in a durable metal chassis ensures reliable wireless performance at every show.ALL WIRELESSPLUG-AND-PLAYEasy to carry, easy to set up, plug in and turn on the power to build your wireless In-ear monitor system Input ModeLINE MODEUse with mixers or other professional audio devices that send line-level signals.AUX MODEUse when connecting consumer audio devices such as portable audio players or computers.LIVE PERFORMANCE MONITORTransmitter with the 1/4”ts conversion put in to the mixing Aux channel, set transmitter to aux mode. Or Transmitter put in the mixing XLR main output， for Band playing, silent rehearsal etc.. set transmitter to Line mode.MULTIPLE RECEIVERSUse one transmitter to send signal to Multiple Receivers- creates monitoring for the entire band. Send the signal from one transmitter to as many receivers as needed simultaneously, Simply set as many receivers as needed to the same channel as the transmitter. OR - In situations where multiple “mixes” are needed on stage, each unit has 6 select-able channels for creating up to 6 individual discrete mixes. If you use more than one transmitter, The receiver can switch between different sound sources by simply changing the channel selector.

Scarlett 2i2 studio 3rd Gen USB audio interface with 2 inputs/2 outputs, with condenser microphone and headphones. The Scarlett is platinum. Sitting on the desks of a huge global community of musicians, producers, and home-students, the legendary 2i2 has already produced more records than any other interface. And with the 3rd generation, expect better sound than ever.

The #1 choice of musicians worldwide, the SM58 is the most versatile and reliable vocal mic in its class. It is found on every stage, in every school, and in every studio around the world. It has become an icon for countless artists over the years because of its world-renowned technology and ruggedness, and will continue to accompany artists and personalities on stage for years to come.

The Beta 52A is ideal for the professional musician seeking a microphone for his or her kick drum, bass amp, or acoustic bass. The quality and durability of this microphone make it ideal for use on stage and in the studio.What are the features of the Beta 52A?Its supercardioid polar pattern limits interference from other sound sources on stage and reduces the risk of feedback. Its frequency response is perfectly designed for low instruments: from 20Hz to 10,000Hz with a presence boost at 4000Hz to make electric bass and kick drums audible. The Beta 52A is also available as a kit. The Drum Kit contains three SM57 microphones, a Beta 52A, three A56D drum mounting systems, and a lightweight, durable case. 

The BETA 91A is a surface effect microphone for bass drums, pianos and other low instruments. But it is thanks to its performance that it has made a name for itself!Surface effect ?This type of microphone uses the surface on which it is placed to capture, in addition to the direct acoustic wave, the wave reflected from the sound source. Thanks to this acoustic reflection, the surface effect microphone provides excellent results in terms of sensitivity and dynamics. Resistant for the bass drum.The Beta 91A is particularly well suited for use on bass drums, preferably in front of or inside the drum. Its static hemi-cardioid capsule withstands high sound pressure levels and allows maximum gain before feedback. Its frequency response, optimized for low frequencies, facilitates its use in high volume environments. To bring out the attack and dynamics of the sound, the Beta 91A features a switchable frequency-correction filter that neutralizes the low mids and enhances the bass and treble. The XLR mic preamp is built into a rugged, low-profile design that takes up very little space on stage, and is extremely durable. The nuances of the piano.Inside, on the soundboard, or tucked under the lid above the strings, the Beta 91A offers a different sound and acoustic aesthetic depending on what you're looking for. Its high-dynamic capsule will perfectly reproduce the nuances of the piano, regardless of its position. This makes it an extremely versatile microphone, whether it's for upright or grand pianos, or for close miking. The Beta 91A offers musicians and sound engineers a different way of capturing the source, with a surface effect mic for close miking at high pressures, especially for low frequencies. A real asset for drummers and pianists!Electrostatic hemi-cardioid surface effect microphone for bass drums and other high-level bass instruments. Maximum pressure 160 dB SPL. Successor of the SM 91A. No external mounting required and can be placed on a cushion or any other surface inside a bass drum. Delivered with thick cable C98D and detachable preamp RPM626.Hemicardioid.Their extraordinary performance and the talent of the greatest artists have made Beta microphones true "stage beasts," now available in wired and wireless versions. Their legendary warmth, presence and sensitivity, optimized response curve, and multiple configurations of Beta capsules have won over those who seek perfection. All models feature optimal isolation and minimal off-axis coloration.The Beta Series represents the highest level of technology developed by Shure. With its cutting-edge design and unmatched performance, the Beta Series is truly the standard for live performance. High-quality, high-sensitivity stage microphones capture every nuance of sound, even in demanding environments.- Optimized cardioid, supercardioid or omnidirectional polar patterns.- High sensitivity for studio quality at high sound pressure levels- Pneumatic anti-shock system.

The Beta 98D/S supercardioid condenser microphone is designed for use with toms, snare drums and percussion instruments in both live sound reinforcement and recording studios. The flexible gooseneck allows the microphone to be used in any configuration.

The Beta 87A brings studio quality to the stage with a smooth, optimized response that provides warmth and precision in every detail. Its supercardioid pickup pattern guarantees optimal isolation from other instruments on stage.