It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or  computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

DJ S is certainly the most used cartridge in DJing (techno, cover, d'n'b, hip hop...) and for listening. It has become THE favoured choice of DJs around the world.rNot only does the cartridge have a most sufficient tracking ability, it is also nearly unbreakable and provides the DJs with the most needed stringency. Furthermore, it equals very low record wear, an advantage for busy DJ. The DJ series has been known to many as the "jack of all trades," with improved tracking, alongside of accurate sound reproduction. Featuring a low wear stylus design, the DJ provides excellent groove handling, even with less weight applied. Compact, precise and robust, it has all the technical characteristics necessary for the practice of DJing in good conditions. It is equipped with a fine spherical diamond and its structure gives it incredible rigidity for faithful sound reproduction.

Perfect as a first guitar or the last guitar you’ll ever need, the PRS SE 245 Standard has a classic voice that is eminently recordable and gig-ready, thanks to its 245 "S" pickups and versatile control layout. Classic PRS appointments include a set Wide Fat mahogany neck, rosewood fretboard with bird inlays, PRS-Designed stoptail bridge and tuners. The 24.5" scale length makes this instrument instantly comfortable to players who prefer short-scale guitars. The all-mahogany body is reminiscent of Paul's first pre-factory instruments and offers a warm, woody tone.“With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability,” said Jack Higginbotham, COO, PRS Guitars. “We’re very proud to offer these guitars to the world.”

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.

Power Studio presents the Vibe B1 USB Bundle consists of a micro-USB connector Studio and all its accessories to use in perfect conditions. This micro VIBE B1 is designed for recording vocals and instruments as well as a podcast in use, on Youtube or Skype, among others. It is accompanied by its shock absorbing suspension of metal, a pop filter and a high quality pivoting articulated arm can be oriented at will. One can note the simple design and neat true sign of quality.

Rode's NT-USB microphone is perfectly suited for voice and instrument recording and offers the sound quality you would expect from this famous brand of microphones. You can also use this matt black microphone for your podcast projects. In addition, the NT-USB comes with a microphone clamp, tripod and a custom-made pop filter.

Based on the world's most famous and influential drum machine, the TR-8S combines the best of Roland tradition with modern production techniques and professional sound design. The result? A unique instrument that's ahead of its time, designed to be ultra-efficient. Build your dream kit from cult percussion sounds or from a collection of samples from our extensive library, or even from your own samples. Choose, pitch and tune your sounds with physical controllers and production tools that will make your patterns come alive and groovy. But why keep such percussive power away from studio walls? A revolution designed for the stage.

Fender Stratocaster Contour Body USA SSS

The Roland Jupiter-4 (JP-4) was an analog synthesizer designed and manufactured by Roland from 1978 to 1981. It was the company's first polyphonic synthesizer, and was known to have been the first synthesizer to provide digital controls to its analog circuits (under the term “Compuphonic” by Roland), allowing notable new functions such as programmable memories (digital recording of “patches”) and greater flexibility in the assignment of synthesized voices by the oscillators. It was sold for $ 2,895, so much cheaper than polyphonic synthesizers from competing brands of the same era (such as the Sequential Circuit Prophet 5 or the Oberheim OB X). Yet it was not as popular and remained less distributed than these competing machines. This disaffection was completely reversed when its successor model, the very popular Jupiter 8, was released on the market.

Start your path to become a guitar hero with this very versatile guitar from Ibanez !

Ready to Rock. PRS Signature Mark Tremonti Standard (Alter Bridge) electric guitar.  With the Paul Reed Smith signature on his head.

With the Squier Affinity series of guitars and basses, Fender offers affordable versions of legendary Fender models at a Squier price. From Stratocaster and Telecaster guitars to Precision and Jazz basses, in a version that offers sensational value for money.

Electronic drums from the brand Roland, TD-4KP.

The Yamaha C40 is a full size classical guitar. A modest budget no longer means putting up with a second-rate guitar, as the Yamaha C40II ably demonstrates. Spruce tops, mahogany-like meranti backs and sides and real rosewood fingerboards and bridges ensure that this guitar is blessed with a quality of tone and playability that belies its affordable price tags. The C40 might be one of Yamaha's most inexpensive full-size classical models, but its quality and tone are outstanding. A real bargain for beginners.

Luthier's guitar mid 20th century

Rample waves systemEurorack 4-voice sample player & audio processorVersatile sample machine :From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms. Effects rack :Each voice has its own “rack” of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.freeze - sample and loop a fraction of the played waveform, creating a glitching effect.levels - decrease the gain or drive the signal.It’s also possible to edit ‘advanced parameters’ like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!Multi-layer sampling :One of the key feature is the ability to "multi-sample" your kits, multiplying Rample’s potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It’s a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).As an example, we are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.We are also providing an other kind of multi-layered acoustic drum kit, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.Of course, it’s very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats...CV/Gate and Midi interface :Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a ‘stereo jack to midi DIN’ and ‘stereo jack to jack’ adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

Travel to new soundscapes With the SY-1, it's never been easier to expand your creative arsenal with legendary BOSS synth guitar technology. This amazingly expressive tool in a compact BOSS pedal format is packed with 121 ultra-responsive sounds that will easily fit into any setup. It's as easy to use as classic compact pedals. You don't need any knowledge of synth programming to build your new world of sound textures. Expressive synth sounds without the need for programming The SY-1 turns any guitar or bass into a versatile synthesizer that's fun, inspiring and ready to play. Incorporating the advanced technology developed for the SY-300, this great pedal features a wide variety of analog synth sounds. All sounds are polyphonic, so you can play single notes as well as chords.

The STAGEPAS 1K is a portable public address system. Light, transportable and versatile, it is the ideal companion for your events (rehearsals, conferences, parties, animations...).It is equipped with a 1000W high-power amplifier that feeds a series of 10 1.5" high-frequency speakers and a 12" subwoofer, offering a sound pressure level of up to 119 dB. It allows to diffuse homogeneously in a wide area thanks to its large coverage (170° horizontally and 30° vertically). The ideal and transportable sound system.The STAGEPAS 1K's integrated digital mixer offers the quality of Yamaha mixing desks, with an ultra simple and intuitive interface. With exceptional flexibility for a sound system of this size, the 5-channel digital mixer features three channels of mono mic/line inputs and one stereo input, with two channels of mono input equipped with high impedance connectivity for direct connection of electro-acoustic guitars and basses. In addition to 6.35 and 3.5mm jacks for CD players, PCs and portable players, the stereo input supports playback from Bluetooth devices.Note that you can use the STAGEPAS Editor to remotely control the STAGEPAS 1K via Bluetooth during rehearsals or concerts. It is also possible to save settings for certain songs or situations to shorten setup time and keep consistency from one night to the next. 

Lewitt Studio Microphone LCT 040 MATCH

Perfect as a first guitar or the last guitar you’ll ever need, the PRS SE 245 Standard has a classic voice that is eminently recordable and gig-ready, thanks to its 245 "S" pickups and versatile control layout. Classic PRS appointments include a set Wide Fat mahogany neck, rosewood fretboard with bird inlays, PRS-Designed stoptail bridge and tuners. The 24.5" scale length makes this instrument instantly comfortable to players who prefer short-scale guitars. The all-mahogany body is reminiscent of Paul's first pre-factory instruments and offers a warm, woody tone.“With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability,” said Jack Higginbotham, COO, PRS Guitars. “We’re very proud to offer these guitars to the world.”

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.