Korg NTS-1 Korg has officially announced Nu:Tekt, a new brand with focus on DIY instruments, effects and utilities. The first offering is the NTS-1 synthesizer. The NTS-1 features a digital oscillator inspired by the Multi Engine found on the prologue and minilogue xd, along with a capable arpeggiator. There’s also a multimode filter, one EG, three LFOs, and three effects processors (reverb, delay, and modulation). The NTS-1 was originally introduced at Superbooth 2019, as a sort of Monotron on steroids:

The 250 Ohms Beyerdynamic DT 990 open face helmet is one of the references in its category.Light, comfortable and robust, it can be worn for several hours without being disturbed or having overheating problems.In spite of a small bump at 5k Hz in the treble, it remains very precise especially in the bass without distorting the sound.Perfect purchase to start in the mix/mastering in home studio and/or studio.

The Scarlett 3rd generation microphone preamplifier is the best performing mic preamp to date, with an enhanced dynamic range and even lower noise level for professional-quality recordings. State-of-the-art 24-bit/192 kHz AN-NA converters take your recordings to a new level for clearer, more punchy results across the entire sound spectrum.On-board "Air" mode:Enhanced mic preamps can reproduce the Air effect of the original ISA mic preamp, perfect for close-up microphone recordings of vocals and acoustic instruments to give them a clearer, more spacious sound.The easiest to use interfaces on the market! The QuickStart tool will guide the user through recording, software and driver configuration to get the most out of the Focusrite experience.The rock-solid USB driverThe latency of 3rd generation Scarlett's is so low that you won't even notice it. Record and monitor everything in real time with your favorite plug-ins.Along with this upgrade, Scarlett 3rd generation users will still have all the software they need for their productions;- Ableton Live Lite- Pro Tools First Focusrite Creative Pack- Softube Time and Tone Bundle- Focusrite Red Plug-in Suite- Choice of 4 XLN Audio Addictive Keys instruments- Eligibility for Focusrite's Collective Plug-In, offering free software and exclusive offers every two months- Three months free access to Splice Sounds when you create a new Splice account.Splice Sounds offers its subscribers millions of high-quality, royalty-free loops and presets with daily additions. From beginner to professional, Splice inspires all genres of music, including chart topping pop, Grammy Award-winning albums, underground mixtapes and film scores.Translated with www.DeepL.com/Translator (free version)

An evolution of the popular Korg Pitchclip tuner, the Pitchclip 2 is an all new clip-on tuner with a compact body and a simple user interface that lets you tune quickly and easily. Just attach it to the head of your instrument, turn it on, then play a string and the tuner tells you the exact pitch difference. The Pitchclip 2 offers great tuning precision with excellent visibility, an improved clamp for better grip, and an inverted display feature that will be appreciated by left-handers.

It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or  computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.

The Record Rack 330 is a 2 room vinyl station advanced, after the combination of the Record Box 230 and Box Advanced record 110. It may contain up to 330 discs 12 ''. With its sloping sides, quick access to the records is possible. The Record Rack 330 is ideal for record stores and DJs who need direct access to their records or the collection of vinyl discs home. Compared to conventional furniture solutions, the rack provides a particularly stable construction and is also very easy to install. The clearly arranged storage solution is sturdy wood.

DJ S is certainly the most used cartridge in DJing (techno, cover, d'n'b, hip hop...) and for listening. It has become THE favoured choice of DJs around the world.rNot only does the cartridge have a most sufficient tracking ability, it is also nearly unbreakable and provides the DJs with the most needed stringency. Furthermore, it equals very low record wear, an advantage for busy DJ. The DJ series has been known to many as the "jack of all trades," with improved tracking, alongside of accurate sound reproduction. Featuring a low wear stylus design, the DJ provides excellent groove handling, even with less weight applied. Compact, precise and robust, it has all the technical characteristics necessary for the practice of DJing in good conditions. It is equipped with a fine spherical diamond and its structure gives it incredible rigidity for faithful sound reproduction.

Perfect as a first guitar or the last guitar you’ll ever need, the PRS SE 245 Standard has a classic voice that is eminently recordable and gig-ready, thanks to its 245 "S" pickups and versatile control layout. Classic PRS appointments include a set Wide Fat mahogany neck, rosewood fretboard with bird inlays, PRS-Designed stoptail bridge and tuners. The 24.5" scale length makes this instrument instantly comfortable to players who prefer short-scale guitars. The all-mahogany body is reminiscent of Paul's first pre-factory instruments and offers a warm, woody tone.“With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability,” said Jack Higginbotham, COO, PRS Guitars. “We’re very proud to offer these guitars to the world.”

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.

Fender Stratocaster Contour Body USA SSS

The Roland Jupiter-4 (JP-4) was an analog synthesizer designed and manufactured by Roland from 1978 to 1981. It was the company's first polyphonic synthesizer, and was known to have been the first synthesizer to provide digital controls to its analog circuits (under the term “Compuphonic” by Roland), allowing notable new functions such as programmable memories (digital recording of “patches”) and greater flexibility in the assignment of synthesized voices by the oscillators. It was sold for $ 2,895, so much cheaper than polyphonic synthesizers from competing brands of the same era (such as the Sequential Circuit Prophet 5 or the Oberheim OB X). Yet it was not as popular and remained less distributed than these competing machines. This disaffection was completely reversed when its successor model, the very popular Jupiter 8, was released on the market.

Whether you play guitar, bass, keyboard, make beats, or work in the studio - most effects boxes are based on the same old classics. The Moogerfooger MF-105 MuRF is the antidote to generic, boring effects. MuRF stands for "Multiple Resonance Filter Array". What this means is the MuRF has 8 filters - their levels are controlled by 8 sliders. It looks like a graphic eq, but the sound of the filters are very different: warm and resonant. What is really unique is the ability to animate the levels of the 8 filters in up to 24 preset patterns. The rate of the patterns can be set by a knob, expression pedal, or plug a footswitch into the tap tempo input to match the rate to the tempo of your song. Rhythmic variations can be created by adjusting the levels of the filters. The Envelope control sets the shape of the modulation, which can be set for percolating techno rhythmic modulation or shimmering timbral morphing. Other controls include Input Drive, Output Level and Wet/Dry Mix. In addition to the full range of Control Voltage inputs, it also sports an extensive MIDI implementation. Create tempo-synced filter sequences with MIDI Clock Sync. Change patterns with MIDI Program Change messages. Control front panel knob settings with MIDI CC messages and play the filters in real-time with MIDI Note On commands. MuRF shares the musician-oriented features that are common to all Moogerfoogers. All the audio processing is 100% genuine analog, for warm, fat sound quality. Any line level or instrument level audio signal may be processed. Wide-ranging player parameters may be controlled from the panel knobs as well as from expression pedals or CV-compatible analog synthesis instruments. Components are rugged and long lasting, to withstand the rigors of stage and studio. The MuRF is housed in the classic Moogerfooger "double-wedge" enclosure that may be used on a table or on the floor. For all players, the MuRF will open up new sonic worlds for you!

Sing with your guitar! A world-wide first! MIKU STOMP, the new voice sound effect unit.   Highlights ・Hatsune Miku sings when you play your guitar! ・A design that fuses the worlds of Hatsune Miku and guitar effects. ・Nearly unlimited possibilities; 11 lyric patterns are provided. ・Lyrics for "Senbonzakura" (a Japanese song) are preset. ・An iPhone app for entering lyrics is available, so you can make MIKU STOMP sing your original lyrics.   MIKU STOMP is a compact effect unit for guitar that lets Hatsune Miku sing according to your guitar playing. Just connect your guitar, and Hatsune Miku sings when you play. The vocal synthesis technology at the heart of the sound is eVocaloid™, a vocalzing effect based on Yamaha's next-generation NSX-1 sound engine. Using your guitar to control Hatsune Miku's vocals is an easy way to obtain a richly expressive performance that has a different character than when using step-recording or a keyboard. * MIKU STOMP supports only single notes. Design incorporates an original illustration of Hatsune Miku   Source: original KORG premiminary information, 2014.

Electronic drums from the brand Roland, TD-4KP.

Guitare Classique Yamaha

Yamaha Alto Saxophone Ideal for Students

Replacing the DM Lite kit, the Turbo mesh kit is equipped with 100% mesh skins at an incredible price! Ideal for beginners and for those who don't have a lot of space at home! 

The iD 14 is an audio interface that will find its place in a large number of configurations.

Travel to new soundscapes With the SY-1, it's never been easier to expand your creative arsenal with legendary BOSS synth guitar technology. This amazingly expressive tool in a compact BOSS pedal format is packed with 121 ultra-responsive sounds that will easily fit into any setup. It's as easy to use as classic compact pedals. You don't need any knowledge of synth programming to build your new world of sound textures. Expressive synth sounds without the need for programming The SY-1 turns any guitar or bass into a versatile synthesizer that's fun, inspiring and ready to play. Incorporating the advanced technology developed for the SY-300, this great pedal features a wide variety of analog synth sounds. All sounds are polyphonic, so you can play single notes as well as chords.

The STAGEPAS 1K is a portable public address system. Light, transportable and versatile, it is the ideal companion for your events (rehearsals, conferences, parties, animations...).It is equipped with a 1000W high-power amplifier that feeds a series of 10 1.5" high-frequency speakers and a 12" subwoofer, offering a sound pressure level of up to 119 dB. It allows to diffuse homogeneously in a wide area thanks to its large coverage (170° horizontally and 30° vertically). The ideal and transportable sound system.The STAGEPAS 1K's integrated digital mixer offers the quality of Yamaha mixing desks, with an ultra simple and intuitive interface. With exceptional flexibility for a sound system of this size, the 5-channel digital mixer features three channels of mono mic/line inputs and one stereo input, with two channels of mono input equipped with high impedance connectivity for direct connection of electro-acoustic guitars and basses. In addition to 6.35 and 3.5mm jacks for CD players, PCs and portable players, the stereo input supports playback from Bluetooth devices.Note that you can use the STAGEPAS Editor to remotely control the STAGEPAS 1K via Bluetooth during rehearsals or concerts. It is also possible to save settings for certain songs or situations to shorten setup time and keep consistency from one night to the next. 

Lewitt Studio Microphone LCT 040 MATCH

The Nord Wave 2 is a powerful 4-part performance synthesizer combining Virtual Analog synthesis, Samples, FM and Wavetable with an intuitive layer-focused interface. With 48 voice polyphony, innovative performance features and hands-on controls, the Nord Wave 2 offers outstanding sonic possibilities with advanced layering and tweaking on the fly. The most versatile north synthetizer ever manufactured  With 4 independent synthesizers in a single machine, the Nord Wave 2 allows you to superimpose classic waveforms and samples. Two OLED screens dedicated to Programs and the Oscillator Section provide an excellent overview when it comes to shaping your sounds. The wide range of performance features and real-time modifiable effects make the Nord Wave 2 the most versatile Nord synth ever built. Layer section The Nord Wave 2 offers a Layer section with 4 potentiometers for easy control of the volume or panning of the 4 layers simultaneously.The Layer section also provides other handy features for quick editing, working simultaneously on the selected Layers: solo pan control and multiple editing. The new Group function allows you to group 2,3 or 4 Layers and process them with the same filters, envelopes, arpeggiators, LFOs and effects, which is perfect for working on complex multilayer sounds that can be edited as one and same sound. On the other hand, three keyboard split points are available, which offers four playing zones with possibilities of fading between these zones. Oscillator section  The oscillator section of each of the 4 layers offers 4 modes: analog modeling, wave table, FM, and sample reading. Access is simplified thanks to the new category potentiometer. Oscillator parameters include additional control of Shape, Sync or Detune parameters. The oscillator section also has a multiple Unison effect Superwaves which simultaneously generate hundreds of waveforms for extremely thick and fat soundsFilters, amp & lfo  Filters, amp & lfo  The filter section has 6 kinds of filters including an impressive ladder filter emulation found in the legendary Mini.It also has a full ADSR envelope.We also find by layer: a dedicated LFO with choice of waveform, a vibrato and an AD / AR type modulation envelope with a velocity setting and an inversion mode. The LFO has several "morphables" parameters and its frequency can be synchronized to the main clock.

Perfect as a first guitar or the last guitar you’ll ever need, the PRS SE 245 Standard has a classic voice that is eminently recordable and gig-ready, thanks to its 245 "S" pickups and versatile control layout. Classic PRS appointments include a set Wide Fat mahogany neck, rosewood fretboard with bird inlays, PRS-Designed stoptail bridge and tuners. The 24.5" scale length makes this instrument instantly comfortable to players who prefer short-scale guitars. The all-mahogany body is reminiscent of Paul's first pre-factory instruments and offers a warm, woody tone.“With so many aspiring players struggling to stick with guitar past the first year, we knew we wanted to deliver an affordable quality guitar that players didn’t have to fight. We want the guitar to inspire you to play; it can’t be something you have to worry about staying in tune or simply working right. So while the [SE] Standards are our first foray into the below $500 price point, that doesn’t mean we compromised on tone, versatility, playability, or reliability,” said Jack Higginbotham, COO, PRS Guitars. “We’re very proud to offer these guitars to the world.”

The Grandmother is a playground that goes back to the roots of Moog modular synthesizers, in which the goal of synthesis is not only the result but an immersive journey into the world of discovery or experimentation. Able to create complex sounds and modulations, the semi-modular design of the Grandmother does not require a patch, allowing anyone, regardless of their experience and knowledge, to explore and discover the magic of analog synthesis. Inspired by the previous classic Moog modular synthesizers, the Grandmother's sound engine and integrated spring reverberation are completely analogical, providing access to an infinite range of sound, of incomparable beauty and power. In addition, the Grandmother also has an arpeggiator and sequencer for more fun. The additional patch and modular exploration capabilities will open up this playground to a new horizon allowing you to explore the infinite possibilities of module relationships. Patcher also allows you to redesign internal connections, each section can function as an independent module. In addition to its standalone functions, the Grandmother is also an ideal analog audio processor for processing external sound sources, as well as the perfect keyboard to accompany the Mother-32, DFAM or any modular system in Eurorack format.

The iD22 is Audient's reference interface. It offers the audio performance of a studio console in a compact and stylish package. 

The Roland Jupiter-4 (JP-4) was an analog synthesizer designed and manufactured by Roland from 1978 to 1981. It was the company's first polyphonic synthesizer, and was known to have been the first synthesizer to provide digital controls to its analog circuits (under the term “Compuphonic” by Roland), allowing notable new functions such as programmable memories (digital recording of “patches”) and greater flexibility in the assignment of synthesized voices by the oscillators. It was sold for $ 2,895, so much cheaper than polyphonic synthesizers from competing brands of the same era (such as the Sequential Circuit Prophet 5 or the Oberheim OB X). Yet it was not as popular and remained less distributed than these competing machines. This disaffection was completely reversed when its successor model, the very popular Jupiter 8, was released on the market.

Sing with your guitar! A world-wide first! MIKU STOMP, the new voice sound effect unit.   Highlights ・Hatsune Miku sings when you play your guitar! ・A design that fuses the worlds of Hatsune Miku and guitar effects. ・Nearly unlimited possibilities; 11 lyric patterns are provided. ・Lyrics for "Senbonzakura" (a Japanese song) are preset. ・An iPhone app for entering lyrics is available, so you can make MIKU STOMP sing your original lyrics.   MIKU STOMP is a compact effect unit for guitar that lets Hatsune Miku sing according to your guitar playing. Just connect your guitar, and Hatsune Miku sings when you play. The vocal synthesis technology at the heart of the sound is eVocaloid™, a vocalzing effect based on Yamaha's next-generation NSX-1 sound engine. Using your guitar to control Hatsune Miku's vocals is an easy way to obtain a richly expressive performance that has a different character than when using step-recording or a keyboard. * MIKU STOMP supports only single notes. Design incorporates an original illustration of Hatsune Miku   Source: original KORG premiminary information, 2014.

Luthier's guitar mid 20th century