The new Dark Energy II looks like the Dark Energy I at first sight. But the basic sound of the Dark Energy II is clearly different from the version I because of the new circuits for the VCO, the VCF and the VCA. In the following description of the Dark Energy II, the differences with the Dark Energy I are marked in blue:The Dark Energy II is a stand-alone monophonic synthesizer with USB and Midi interface. The sound generation and all the modulation sources are 100% analog, only the USB/Midi interface contains digital components. The Dark Energy is built in a robust black metal case with wooden side plates. High quality potentiometers with metal shafts are used and every potentiometer - except the filter mode control - is fixed to the case (no wobbly shafts and knobs). The distance between the controls is a bit larger compared to the A-100 modules and vintage looking knobs are used.

Basically self-contained, compact sound systems, the KB® series amps are perfect for voice, keyboards, acoustic and electric guitar, drum machines and backing machines. KB1 is a 20W Compact Amp.

Robust OQAN "giraffe" microphone stand, model AMS11, black, with tripod. A basic Zicplace in rehearsal or on stage, reliable. Compatible with Sure SM-58, Neumann KMS-105, etc. Microphone clip not included.

64 presets, 750 ms max delay, the front panel is clear with the classic potentiometers (attenuator, feedback, delay output volume, level and depth modulation), bypass with indicator light. To the right of Roland's SDE-2500, we enter the settings, the delay preset selections, the storage. On the rear panel, the mono connector for effect loop on amp, mix, or direct guitar instrument or keyboard for example.

The MG range, now in its third incarnation, perfectly reflects Yamaha's quest for excellence, which for more than a century has established a tradition combining unparalleled know-how and innovation. The MG range incorporates some technologies originally developed for use in high-end professional consoles (studio quality microphone preamps, integrated digital effects) and a solid and reliable construction. With its intuitive, easy-to-use user interface, it offers a wide choice of compact mixing consoles, ranging from 6 to 20 channels, to better adapt to very different users and applications. Whether it's a fixed installation, recording or music sound system, the solidity and flexibility of these consoles allows you to work with confidence, with consistently excellent performance and a level of sound quality and reliability that is unmatched in this category.

Solid tools for developing a mix, the HS series speakers have been designed to provide the most honest and accurate reference possible, unlike monitoring speakers whose bass or certain high frequencies have been highlighted to obtain a flattering result. By combining the experience gained over the years with cutting-edge technologies, the Yamaha engineering team has examined and optimized every aspect that has helped to make these speakers references that professionals can trust. 

Extremely high-power loudspeaker that is capable of producing a maximum SPL of 134dB with its impressive 1100W of power. It is the perfect solution for live sound applications that demand wide bandwidth and extremely high-resolution sound. Since its inception, the DXR Series has long signified a confluence of raw power and technological innovation that reliably harnesses and delivers impressively high output with superior quality and clarity. The DXR mkII Series powered loudspeakers are the newly upgraded models of the series that add even more SPL and feature a larger, yet much lighter 1.75” Neodymium HF compression driver for extremely clear voice reproduction and musicality. Once again the Yamaha team worked in tight collaboration with touring loudspeaker specialists NEXO, adding crucial insight and expertise that led to design improvements based on the ever-evolving demands of sound reinforcement professionals.

The PV MSP1 is a complete microphone and accessory package designed for working musicians on the move. The package includes essential accessories for stage and rehearsal setups, all in a protective gig bag.

ClipMic digital is a high-quality lavalier microphone for iPhone, iPad and Mac that features Apogee digital conversion and Sennheiser microphone capsules. Whether you are a journalist looking for an easy audio solution for field interviews, a lecturer that wants to record a talk, or even a parent recording their child reciting a poem – Apogee’s digital clip-on lavalier microphone helps you to capture sound professionally. ClipMic digital combines Apogee’s A/D conversion expertise with Sennheiser’s microphone design knowledge to give users optimum sound quality for their recordings. Especially designed for iOS-devices, ClipMic features a Lightning connector to directly connect to iPhone®, iPad® and iPod® Touch, thus creating high-quality, ultra-portable solutions for vocal and speech recordings.

The Volca series finally has its control tower! The Volca Mix not only allows you to simultaneously power 3 Volca and mix them via the two mono inputs and the stereo input, but it also allows you to synchronize your entire configuration for ever smoother and more controlled performance. The mixer also has full connectivity and built-in speakers, all in a Volca format.

Optional USB remote control for Element and Symphony I/O series audio interfaces.  

The 2x6SE takes advantage of the latest advances in digital and analog audio technology, offering two line level inputs with a dynamic range of 124dB (A), a distortion + noise (THD+N) of -116dB and six line level outputs with a dynamic range of 131dB (A) and a surprisingly low distortion + noise (THD+N) of -118dB.  

This complete L.acoustics sound package is the essential system you need to get the most out of your venue.With the two LA4 L.acoustics amps accompanied by two 12XT outputs and two SB118 subs from the same brand, your stage sound will receive an unprecedented boost.12XT :The frequency response can be extended to 32 Hz. The loudspeaker comprises a coaxial assembly of a 12" LF driver tuned in a bass-reflex enclosure, and a 3" diaphragm compression driver loaded by the 12" cone. In the passive configuration, the filtering between the transducers is third order. The active linearisation of the transducers and their protection results from a combination of parameters administered in the amplified controllers.SB118 :The L-ACOUSTICS® SB118 loudspeaker is a recommended subwoofer complement for KUDO®, dV-DOSC, ARCS®, KIVA and XT systems.It extends the system bandwidth to 32 Hz.The cabinet consists of an 18" driver assembled in a double tuned bass-reflex cabinet.This specially designed driver for the SB118 combines extremely low distortion and thermal compression even at the highest sound levels.The adoption of the dual bass-reflex tuning principle allows for a combination of impact and high sensitivity.These properties contribute to the SB118's sonic qualities, including precise bass definition and excellent musicality.Thanks to its small front dimensions and the damping of its tuning that makes it suitable for coupling, the assembly of several SB118s allows the creation of visually and acoustically optimised front-of-house systems.The SB118 loudspeaker is driven and amplified by dedicated L-ACOUSTICS® LA4 or LA8 controllers.Digital filtering provides system equalisation, bandwidth framing, while the L-DRIVE servo process provides thermal protection and manages the excursion limits of the loudspeaker drive unit.LA4 :The LA4 is the latest generation of high-end integrated controllers fully dedicated to driving L-ACOUSTICS® loudspeaker systems. The LA4 combines the resources of a 2 x 4 DSP driving four amplifier channels delivering up to 1000 watts each, a comprehensive library of factory presets, an intuitive user interface, two Ethernet connection ports for network control, a connection panel for audio inputs and speaker outputs, and an optional AES/EBU input card slot in a 2U form factor.

The Ashdown AAR3 Radiator 3 acoustic guitar amplifier is the ultimate amp for acoustic guitarists playing in a live band. Featuring a rugged PA-style cabinet with two concentric 10-inch speakers, the AAR3 uses an ultra-lightweight, highly dynamic 350W bi-amplified digital power section for volume levels that really come through. Plugging directly into the Ashdown Radiator 3 amp puts you in control of your sound on stage, with a balanced DI output to feed the PA.It has a full feature set, including a two-channel preamp with high and low impedance, phantom-powered inputs, independent two-band EQ and level controls, a notch filter, 16 digital reverb settings selectable from a rotary control, a reverb level control, and an output level control. In addition to the DI output, the rear panel of the Ashdown AAR3 Radiator amplifier features a Line/Link output, FX send and return, and a footswitch connector for muting the reverb.

Immediately availableFree delivery in all Europe

The DXR15mkII achieves class-leading maximum SPL of 134dB and full bandwidth performance by combining a powerful Class-D amplifier with a high-power woofer and Yamaha's cutting edge technologies. Throw in some D-CONTOUR and you'll feel like you're using a subwoofer.Louder, Lighter, LegendarySince its inception, the DXR Series has long signified a confluence of raw power and technological innovation that reliably harnesses and delivers impressively high output with superior quality and clarity. The DXR mkII Series powered loudspeakers are the newly upgraded models of the series that add even more SPL and feature a larger, yet much lighter 1.75” Neodymium HF compression driver for extremely clear voice reproduction and musicality. Once again our team worked in tight collaboration with touring loudspeaker specialists NEXO, adding crucial insight and expertise that led to design improvements based on the ever-evolving demands of sound reinforcement professionals.Whether for fixed applications or mobile live performances - whatever direction you want to take your sound - the DXR mkII Series is up to the task, combining raw power with our own proprietary advanced DSP functions for all the reliability and outstanding clarity you’ve come to expect from the DXR Series… only MORE.

The MOTU M4 is a high-quality audio interface at a very affordable price! This 4-in/4-out USB-C audio interface includes ESS Sabre32 Ultra DAC technology for superior sound quality, as well as optimized drivers that deliver impressive low-latency performance.

Yamaha's touch panel-based Centralogic interface simplifies digital operation to the point where it's actually as intuitive as analog... if not more so. All mixing controls other than the individual motorized faders provided for each channel are accessible via just two displays: Overview or Selected Channel.The Overview screen - the console's default screen - gives you a standard view of the 8 channels selected via the Centralogic navigation buttons. These buttons, arranged in an exact replica of the console's 8-channel groups, allow you to instantly bring any 8-channel group to the central controls at the touch of a button. You can then touch any row of controls on the display to focus on them - pan, or bus send, for example - and adjust them via the corresponding multi-function encoders just below the display. You should be able to perform a basic mix on the M7CL without even having to open the manual.To adjust the panning of a channel, for example, simply press the channel's [SEL] button and turn the console's physical PAN control. The same applies to preamp gain, dynamics, high-pass filter, EQ and bus send control. Settings are clearly displayed on the screen as you make them, as is the status of all mix parameters for the currently selected channel. You can zoom in on any parameter on the screen for further control by simply touching the parameter on the screen. When you focus on a parameter, the multi-function encoders below the screen adjust the corresponding parameters on the screen.Translated with www.DeepL.com/Translator (free version)

MOTU's popular and award-winning audio interface: the Ultra Lite, now comes in AVB with 18 inputs, 18 outputs, DSP mixing, wifi control, AVB audio networking, premium analog audio quality, and AVB audio networking with huge audio quality for a mobile audio recording interface on the go.

The MOTU Micro Lite USB MIDI Interface is built with the same technology as MOTU's flagship MIDI timepiece. With the inclusion of five MIDI inputs and five MIDI outputs, you'll have immediate access to an impressive 80 MIDI channels. Take advantage of the large, intuitive front panel to easily view the status of all your device's activities at any time.

The UltraLite-mk5 incorporates the renowned ESS Sabre32™ DAC technology, along with the ES9026PRO DAC, to deliver a measured dynamic range of 125dB and THD+N of -114dB. Renowned drivers deliver rock-solid performance and industry-leading low latency

The new Yamaha MG series mixing console is already becoming the new standard in the sound industry. A new lease of life for the world's best-selling consoles: the third MG series combines sound quality with reliability and even better performance to become (once again) a standard in the sound industry.