Powerful and portable, the 6505 Piranha harnesses the unmistakable character of the iconic 6505 Series in a convenient, miniscule package capable of a mighty 20 Watts (4 Ohms). No frills - just the raw gain and authority of the familiar Crunch and Lead channels with simple Pre-Gain and Post-Gain controls. A single knob EQ morphs the tone from the most notchy thrash to throaty and boosted metal tones. A buffered Effects loop is included for ease of connecting effects, re-amping, or for use as a stand-alone preamp. Connect any source to the full range power amplifier section through the Auxiliary Input. A single 12AX7 tube is the final component in the wrath of gain provided by this little beast. The design of this low voltage tube section was paramount in getting the soul of the 6505 into such a small and lightweight package. For even more fun, try different 12AX7's in your Piranha - the effect of swapping this single tube is similar to swapping all of the preamp tubes in the 6505 Head: custom tone and as many options as there are tubes. Small enough to use in a bedroom, but powerful enough for the studio, this little guy sounds amazing with the ultra-portable 6505 Micro 1x8 cabinet. Pair with larger cabinets featuring premium drivers such as the Peavey 112-6, 212-6 and the legendary 6505 412 cabs for increasingly unbelievable sound. The minimalist controls and robust construction make this a must-have, "Swiss army knife" tool for live and recording use. Use the headphone jack and aux input for practice, connect the effects send to the input of a larger amp to use it as a "6505 preamp driver," great for quick and easy "re-amping", and any number of applications that you can dream up. The Peavey 6505 series has been forging the sound of metal aggression for over two decades. Since 1992, it has defined the sounds of extreme rock guitar into a package equally suited to clubs, rehearsal rooms, and studios. Some of the biggest names in metal trust their tones to the 6505 Series.

The PRS Custom combines the main features of the reference models of the FENDER and GIBSON brands, but transcends them in elegance with a sumptuous figured maple top and incomparable playing comfort. Paul Reed Smith's Custom will become an ultra classic American electric guitar solid body. Here is a top-of-the-range PRS Custom 24 electric guitar with a black finish. Mahogany body, vaulted maple top. Hard case PRS included. 

Natural cut panel, ideal for beginners, mini-jumbo format, this guitar has an excellent quality/price ratio. Brand OQAN, model QGA 40CE NAT. Natural finish, it has an active preamplifier with volume and 3-band equalizer. Jack and amplification not provided. 

Soprano Ukulele. Sapele body. Sapele back and sides. Black Walnut bridge and fingerboard. Laser rosette and logo. Bag included. Orange version.

20-watt combo amplifier with two independently controlled, foot-switched channels, designed for maximum versatility and in the spirit of vintage amps that allowed you to control your sound instead of leaving the amp under control. The clean channel offers 3D sounds that are reminiscent of American amplifiers from the 1960s and 1970s. The output channel is linked to the proper channel from a circuit point of view, so it can be configured to act as an amplified proper channel or manipulated to make the channels sound like two completely different amps (the output channel can be adjusted from slight to very high distortion simply by using the volume and master controls). The light switch on the bypass channel has been carefully designed to provide a familiar high-end snap and is particularly effective on bass strings, neck microphone settings and single coils, while the low-end response of the bypass channel is full, narrow and clear. Both Sonzera channels are designed to maximize clarity and definition of notes. The overall presence control and tone stack allows players to compose a variety of tones ranging from bell-shaped chimes to warmer, thicker tones. The Sonzera 20 Combo also features global reverberation control that is designed to improve notes without blurring them. Reverb can be activated and deactivated via the foot pedal. The addition of an integrated effects loop allows musicians to easily use all their time effects without negatively affecting the overall sound of the amp. In addition to its versatile sound, the Sonzera 20 Combo is also designed for reliability and ease of maintenance. The power tube sockets are mounted directly on the steel frame, and no plug-in connections are used - all wires are welded. With its robust construction, wide range of tones and constant control, the Sonzera 20 Combo is a solid amplifier worthy of concerts and studios. 

The essential string set. Adopted by Eric Clapton, Jimmy Page, Slash, Angus Young and a legion of legends! These strings are manufactured according to very strict specifications specific to Ernie Ball, which guarantees optimal performance. Ernie Ball, the world’s leading manufacturer of strings and accessories, has been making high-quality electric guitar and bass strings since 1962. World-class players like Paul McCartney, Keith Richards, Eric Clapton, Slash, Jimmy Page, and Buddy Guy have all played Ernie Ball strings to create their unique sound. The American brand use the latest technologies and finest materials to continuously enhance your playing experience and provide an unparalleled palette of expressive options. "Great strings can't cure a bad amp, an s-curve neck, or lousy room acoustics; but when all of these primary elements are correct, strings become bottom line! And that's where we come in. We provide for the necessary goals sought by guitarists everywhere: consistently reliable, high quality strings, reasonably priced." - Ernie Ball

PRS electric guitar, CE24 model, Faded Fire Red Smokeburst LTD color.  

PRS electric guitar, MC CARTY 594 model, Color Orange Tiger.  

Soprano Ukulele. Body and neck made of sapele. Compound rosewood fingerboard. 12 Frets. Bag included. Natural mat finish.

NYLON CLASSICAL Silver Plated, Hard Tension. 28-32-40-30-35-44.  

NYLON CLASSICAL Silver Plated, Medium Tension. 28-32-40-30-35-44.  

VERITAS Phosphor Bronze Acoustic Guitar Strings wound on Hexagonal Cores. Extra Light. 10-14-22-30-38-48. 2 Extra New XENON strings.  

VERITAS Phosphor Bronze Acoustic Guitar Strings wound on Hexagonal Cores. Custom Light. 11-15-22-30-40-50. 2 Extra New XENON strings.  

VERITAS Phosphor Bronze Acoustic Guitar Strings wound on Hexagonal Cores. Light. 12-16-24-32-42-54. 2 Extra New XENON strings.  

PURE BLUES™ Electric Guitar Strings are constructed with a pure nickel wrap wire on a round core wire to produce a distinctive warm and balanced sound with rich overtones and a vintage vibe.  They create the unmistakable tone and feel of classic American rock and blues with chords that ring out sweet and round, while leads have more punchiness and sustain. They feel smooth and playable with a remarkably responsive touch.  

PURE BLUES™ Electric Guitar Strings are constructed with a pure nickel wrap wire on a round core wire to produce a distinctive warm and balanced sound with rich overtones and a vintage vibe.  They create the unmistakable tone and feel of classic American rock and blues with chords that ring out sweet and round, while leads have more punchiness and sustain. They feel smooth and playable with a remarkably responsive touch.

PURE BLUES™ Electric Guitar Strings are constructed with a pure nickel wrap wire on a round core wire to produce a distinctive warm and balanced sound with rich overtones and a vintage vibe.  They create the unmistakable tone and feel of classic American rock and blues with chords that ring out sweet and round, while leads have more punchiness and sustain. They feel smooth and playable with a remarkably responsive touch.

PURE BLUES™ Electric Guitar Strings are constructed with a pure nickel wrap wire on a round core wire to produce a distinctive warm and balanced sound with rich overtones and a vintage vibe.  They create the unmistakable tone and feel of classic American rock and blues with chords that ring out sweet and round, while leads have more punchiness and sustain. They feel smooth and playable with a remarkably responsive touch.

Yves Mion has an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.  

Yves Mion has had an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.  

Yves Mion has an instrument workshop in Coulanges La Vineuse, in Yonne since 2010. This self-taught man learned to build guitars on his own as a teenager. It takes about 100 hours to make an instrument. Precision work that is often personalized.

Concert Donnat-Audirac guitar with steel strings, by the French luthier Philippe Donnat. Philippe Donnat has had a lutherie workshop in Bagnolet, in the Paris region, since 2015. Self-taught, he began to build his first jazz guitars based on the Selmer-Macafferri model. He then trained with Fred Kopo, Alexandre Bioud, and Gérard Audirac.  "Making a guitar is dreaming of a sound, designing it, to hear what the guitar has to say."  

Carved maple body, carved sapelli top, ebony fingerboard and head veneer, Schaller Signum bridge, 2 Benedetti double pickups, CTS electronics Finish: 2-tone Candy tint, polished polyurethane varnish