New starting from : €2,500.00
Used starting from : €1,950.00
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Analog paraphonic synthesizer with 2 oscillators, a multimode filter, a drone function, a white noise generator, 3 loopable envelopes and 30 patch points! The 2nd version of the Dreadbox Nyx is a very good analog paraphonic synth with a great amplitude on the settings. The quality of manufacture is there: real wood panels, steel case, very strong and resistant pots. Without patch, we can find a sound close to ARPs although more versatile thanks to the multimode filter and the 2 mods in addition to the VCA and the LFO. We will also appreciate the drone mode which works perfectly with the cavernous embedded reverb. Patch points are welcome and allow you to take this module off the beaten track. It can also be easily integrated into a modular setup. In short, you can lose hours in sound design by switching from big analog bass to futuristic sounds.
Sub Sequent 37
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability. The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer’s newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37. In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.
A highly aggressive sound design and performance analog synthesizer that combines the classic, hands-on control of vintage Moog instruments with a new and ultra-gritty sound engine. It is fitted with 25 full-size keys and a 31-knob panel, plugging you straight into the analog heart of this powerful synthesizer. The Sub Phatty sound begins with two variable waveshape oscillators that perform with extreme accuracy and require no warm-up time. Each oscillator is then fed into a high-gain mixer, which includes a pink noise generator and sub oscillator for added depth and rich, punchy bass. The filter section of the Sub Phatty is the first to feature Moog’s transformative new Multidrive circuit; at lower settings Multidrive adds warmth and width, but when pushed, it delivers a screaming snarl that unlocks an undiscovered world of vivid analog tonalities. The Sub Phatty features a wide range of parameters just below the surface. Each feature is easily accessible with the free software editor - creating seamless integration between analog synth and DAW for total control, recall, and automation of every parameter.
A distinctive analog instrument that brings raw sound, step-sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive live performance and production synthesizer is designed to provide experimental musicians and synthesists with a diverse array of creative tools to inspire new ideas, unique sound and endless sonic exploration.Drive synchronized sound with Mother 32’s powerful step sequencer while utilizing its modular patchbay and assignable output to spawn a living, breathing organism with dynamic and modifiable sound processing. Patch multiple control and sound sources into Mother-32’s voltage controlled mixers and truly unlock the vast potential of this powerful instrument, or pull all of the patch cables, plug in a MIDI cable and simply drive your Mother-32 from any MIDI-equipped device. The Mother-32 is secured in an extruded aluminum enclosure with wood sides, but can also easily be relocated to almost any Eurorack enclosure.
Semi-Modular Analog Percussion Synthesizer and a vibrant deviation from the traditional drum machine. Handcrafted in Asheville, NC by the employee-owners at the Moog Factory, DFAM is the first addition to the Mother-32 family of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions. Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators. Oscillator hard sync and FM cross-modulation invite effortless transitions between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a versatile Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations. DFAM behaves much like a living organism, reacting in different ways to different individuals. This is due to 3 dedicated analog envelopes working dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and cacophonous chaos can be spawned or subdued at the turn of a knob. Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment. Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
It is an inconspicuously compact, subharmonic bass machine designed to integrate seamlessly into any performance or computer-based music workflow . Just as its progenitors, the Minitaur effortlessly does one thing above all others… wall splitting analog BASS. The solid steel enclosure of the Minitaur is deceptively simple - offering immediate access to critical sound design and performance controls only. This makes Minitaur extremely fast and easy to use--but just under the surface lies a vast expanse of dynamic and inspirational power that is instantly accessible from almost any laptop or MIDI controller. The free Minitaur Editor software truly unlocks Minitaur’s power and flexibility by making DAW integration and control completely seamless on both Mac and Windows machines. Load and save up to 128 presets onto your Minitaur, select from 6 different modulation waveshapes , engage Hard Sync, access full ADSR envelopes, MIDI sync the LFO, reset oscillator waveform cycles, polychain with other Moog synthesizers and more. Every feature can be manipulated, automated and recalled instantly.
The ORLA Stage Starter Black is an Italian digital piano amplified in stereo for beginner, conservatory or self-taught use, with a high quality 88-key keyboard mechanism weighted with hammer mechanism as on a real acoustic piano. It can also be used as a master or stage keyboard.
It features 16 different quality sounds that are easily selected with a combination...
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